Three hanging ceramic pendant lights with organic shapes, brass hardware and antique cording.

HANDMADE ceramic lights And Objects Based in the sonoran desert

PEAK

PENDANT | SCONCE | FLUSH MOUNT

A white pendant light fixture with a brass attachment hanging from a twisted cord against a plain light-colored wall.
A vintage wall-mounted ceramic lampshade with brass hardware  and Edison light bulb, against a plain light background.

poppy

PENDANT | SCONCE


TORTUGA

A hand thrown hanging pendant light with a brass chain and a dome-shaped shade, internally painted in a bronze  finish under the outer raw clay dome, illuminated against a plain white wall.
Close-up view of a hanging lamp's brass fixture with a chain and hook on a antique cloth braided cord against a plain background.
Wall-mounted light fixture with a gold base and a white, flower-shaped shade against a textured beige wall.
Modern hanging pendant light with a draped, art nouveau shade and vintage-style filament bulb, suspended from the ceiling from a cloth cord.

Ceramic artist with long hair in a striped shirt glazing handmade ceramic light l in a bright, industrial-style studio with brick walls and stairs.

About the artist

Stephen Abate is a ceramic artist living in Tucson. He was drawn to working with clay because it can be experienced by all five senses. In particular he is attracted to the sense of movement and tactile response clay evokes. Often leaving areas of his work unglazed, he invites you to touch the piece, to interact and connect with it.

Every piece is either hand-built or wheel-thrown for individuality and character.

He believes that when working with clay the artist imprints a part of themselves into the work. The final piece is a “snapshot” of that interaction between the artist and clay, which gives each piece its own identity.

No two interactions are the same, so no two pieces are the same. Similarly, the hardware he pairs with the ceramic often features unfinished metals, so that it may age and take on a story from the environment in which it's placed.

Steve Abate holding a bronze glaze and raw clay domed ceramic light shade straight out of the kiln.

@abate_studio

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